My colleague and coworker Leigh Alexander yesterday published a semi-defense Purchase Synthroid, of Visceral Games' (nee EA Redwood Shores) upcoming "adaptation" of Dante's Inferno (entitled Dante's Inferno). By "semi-defense" I mean she didn't explicitly and enthusiastically endorse the game, but generally supported its right to exist under EARS' chosen title and its self-professed association with a work that, to a large extent, where to buy Synthroid, set the direction for the modern Italian language.
It's definitely a reasonable point of view. Synthroid maximum dosage, Certainly no developer has any responsibility to be particularly literary or high-minded. Anyone who listens to Idle Thumbs knows my personal distaste for the game is hyperbolic and probably comically exaggerated at times. But, actually, it's a genuine frustration, because to me it is emblematic a larger issue, Purchase Synthroid. Here, slightly tweaked, Synthroid images, is the comment I made in response to Leigh's post:
"I just don't see why this is based on Dante's Inferno. If, Rx free Synthroid, as some have claimed, the core market doesn't care about the game's adherence to its 'source material' -- and surely it doesn't -- what usefulness is it to claim association in the first place.
"This could have been simply a game influenced by Dante's imagery, as so many creative works have been over the centuries, Synthroid dangers, rather than actually claiming to be any kind of even remotely meaningful adaptation of the poem. To me, What is Synthroid, it's an amazing vindication of the claims of video games' inability to thoughtfully construct ANY kind of meaningful thought: here's how video games adapt one of Western culture's defining literary works, and it consists of brutally ripping apart demons for eight hours, surely complete with idiotic throwaway one-liners. Purchase Synthroid, "I know it's not the duty of any individual game designer to 'justify' games to anyone who doesn't play them, and it shouldn't be, and obviously as a gamer I know full well that games are capable of more than this. But the reality is that most games DON'T have anything to say; most games DON'T communicate any meaningful thought; and most games DON'T deal with their subject matter in anything other than the basest, Synthroid use, most ridiculous way. You could say the same for most fiction of any medium, Purchase Synthroid online, but it's certainly even more true for games.
"That's clearly not a dealbreaker for me, since I still play a lot of video games, including the ones covered in the category I described above, buy Synthroid no prescription, and it doesn't bother me all that much; if it did, I wouldn't play, Get Synthroid, write about, and talk about so many games.
"But by claiming to have anything to do with Dante's Inferno, this game loudly echoes that trend in a particularly frustrating way, real brand Synthroid online. It could have simply been called 'Righteous Duty' or whatever bullshit name [edit: Clint Hocking suggests 'Demon Hunter,' 'To Hell and Back,' 'Love be Damned,' 'Infernal'] with the same plot and mechanics -- they could have even given Dante a shoutout in their ridiculous PR pitches -- and I don't think I would have batted an eye, Purchase Synthroid. But as the game industry's big-budget, highly-publicized representation of a work that everybody knows by cultural osmosis, My Synthroid experience, even if they've never read a word of it, it's a big huge fucking depressing failure."
God of War, which many have pointed out as a counterpoint to the general opinion I espouse, takes that latter approach, online Synthroid without a prescription. But while I'm not personally a God of War fan, it doesn't offend me as a gamer; it's just not my kind of game, Synthroid samples, mechanically speaking.
God of War is directly influenced by Greek mythology, but it doesn't claim any kind of definitive association with a particular work in its title. Rather, online buying Synthroid, it uses the cultural source material as a rough touchstone. Purchase Synthroid, Dante's Inferno, ironically, appears to depart even more from its source material than God of War does, but makes an implicit claim that it is more related.
As Clint Hocking points out in a comment following mine, this also has the side effect of delegitimizing any hypothetical future video game interpretations of The Divine Comedy. (There have been "adaptations" in the past, but none with anywhere near the visibility and marketing might of an Electronic Arts production.) It basically guarantees the video game take on Dante's epic to be juvenile nonsense. It may be a fun video game; I make no claims about that one way or the other, but it certainly isn't what its title says it is.
I also don't mean to imply I have any desire for a better Divine Comedy game; it's never something I've particularly longed for, and I don't mean to call for it now. I'm not saying EA should be making a game closer to the source material; I'm saying they should never have claimed the association to begin with.
If none of my arguments have been at all convincing, just load up this incredible video and skip to about 4:50. Maybe the whole interview is a piss take. But is that really relevant, when it appears to be 100% accurate anyway.
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